Brown-Nagin on her own path and Radcliffe’s Hidden Spaces: The Sunken Garden in Radcliffe Yard Still, their contributions were crucial. By simply participating in the Institute and tackling topics so fundamental to the movement, like motherhood and the challenges of the working woman, in their writing and art, they helped encourage equality and redefine art both then and now, said Doherty.“The kind of precedent that I think they set as artists, about what you can make high or refined art, lyric poetry, sculpture, fantastic oil painting about — your most intimate private life as a woman — I think we see that today. That’s one of their main gifts to us as a generation.” Current and former deans discuss institute’s history, achievements, aspirations Related Dean discusses her priorities for Harvard’s institute devoted to interdisciplinary study and research A look at Radcliffe past and present Serenity reigns at Radcliffe It was called “a messy experiment” by its founder. It became a hub of creativity that helped propel forward the women it engaged, and the women’s movement, in crucial ways.The timing was right for Mary Ingraham Bunting and her audacious new plan. It was 1960, and a cultural war had been brewing since the late 1950s. Women were seeking higher education in increasing numbers and pushing back against strict gender roles in the home and the workplace, and the approval of the birth control pill by the Food and Drug Administration in 1959 was allowing them, for the first time, to take charge of their child-bearing years and careers.That was the backdrop against which “Polly” Bunting, the newly minted president of Radcliffe College, launched the new Radcliffe Institute for Independent Study (since reincarnated as the Radcliffe Institute for Advanced Study). A microbiologist by training, Bunting was eager to create a place for women whose academic and professional lives had been put on hold by the demands of motherhood and family life. She dreamed of a space where promising, high-achieving women could study, research, write, read, and find community with like-minded peers. These “intellectually displaced women” would receive a stipend to spend as they wished, an office, access to Harvard’s libraries and professors, and the gift of unfettered time.Author Maggie Doherty chronicles that shift in her new book, “The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s.” The work charts the story of the center’s infancy through the lives of five of its earliest fellows: poets Anne Sexton and Maxine Kumin; writer and labor activist Tillie Olsen; sculptor Mariana Pineda; and painter Barbara Swan. Their time at the Institute, and with one another, would shape their future successes, and their work would influence the early women’s liberation movement and later inform and inspire new expressions of women’s equality and empowerment.,“[They were] breaking new ground for women’s liberation in ways that I don’t think any of the individual actors necessarily anticipated or were even fully conscious of,” said Doherty, Ph.D. ’15, who stumbled on the Institute’s origin story while researching Olsen during her graduate work. Bunting, the fellows, and a range of other actors, said Doherty, were “moving in the direction of this really new kind of political and social consciousness and activism.”Kumin and Sexton — each of whom would go on to win a Pulitzer Prize for poetry — used their words to expose the unglamorous, and often ugly sides of womanhood. “Sexton’s great poetic intervention — the presentation of messy female experience as art — was also a political one. In writing about these topics before they entered public discourse, she was an inspiration and ahead of her time,” writes Doherty.Swan, a portraitist who studied at the School of the Museum of Fine Arts, used her brush to capture the “strangeness — the surreality — of motherhood” in a painting that accompanied her Radcliffe application. “Her representation of motherhood was not quotidian or banal or uninspired; it was groundbreaking, spiritual, unnerving,” writes Doherty. Similarly, Pineda’s sculptures, with their representations of the female body as a “vessel for knowledge,” tapped into the Institute’s “spirit of discovery.”Olsen was a leftist, feminist labor organizer, and a mother of four who had to work to support her family. She used a nearly two-hour presentation on creativity delivered during her fellowship as an important springboard. The long, somewhat rambling discourse left many in the audience “restless and annoyed,” but it was also the beginning of “an intellectual project that would consume the rest of [her] working life,” writes Doherty.,The most political of the five, Olsen’s talk turned a light on the Institute’s early blind spot: working women who lacked the means of their better-off contemporaries. For such women, a college degree, let alone a doctorate or a shot at a fellowship, Olsen knew, was largely out of reach. (The five women took the name of their group from the Radcliffe application requirement that called for candidates to possess either a Ph.D. or its equivalent in creative achievement.)In later years Olsen’s book “Silences” helped redefine the literary canon, giving voice to female writers and those from the working class. She also became a champion of curriculum reform, teaching and advocating for courses that included work by women, working-class writers, and writers of color. “[Olsen] was not in her lifetime the most successful, nor the kindest, nor necessarily the most talented,” writes Doherty. “But she saw the world differently from the other four women: she saw how creativity arises from material circumstances, how power is wielded against the vulnerable, and — crucially — how class, gender, and race intersect.”Doherty’s book doesn’t shy from noting irony. She writes that many talented women who secured Radcliffe fellowships were guided and often cowed by male instructors early in their careers, and that her five subjects helped advance a campaign in which they couldn’t fully participate. “The Equivalents were women born too early; by the time the women’s movement gained full steam, each of them was well established in her life and ways,” she writes.
By Dialogo April 27, 2012 A U.S. Customs and Border Protection (CBP) Office reconnaissance P-3 airplane, operating out of National Air Security Operations Center-Jacksonville (NASOC-JAX), detected two go-fast vessels carrying more than 2,200 kilograms of cocaine with a combined value of more than $362 million. On April 20, a P-3 operating in the Western Caribbean spotted two go-fast vessels 120 miles off the coast of Panama. The two 40-foot twin-engine vessels were spotted speeding north and appeared to be loaded with numerous packages when the Florida-based CBP P-3 began tracking them. Local law enforcement assets were vectored in to pursue the two vessels, which attempted to evade authorities. One vessel abandoned the contraband before arriving on shore, while the second go-fast was seized nearby. A U.S. Navy vessel operating in the area retrieved 89 bales of cocaine from the scene. This seizure is in addition to the $2.8 billion detected by the CBP P-3s operating out of Jacksonville, Fla. and Corpus Christi, Texas since October 2011. The P-3s’ distinctive detection capabilities allow highly-trained crews to identify emerging threats well beyond the land borders of the U.S. By providing surveillance of known air, land, and maritime smuggling routes in an area that is twice the size of the continental U.S., the P-3s detect, monitor and disrupt smuggling activities before they reach shore.
Madrid: Lionel Messi made it clear he is fit and back to his scintillating best by tearing apart Real Valladolid on Tuesday in a thumping 5-1 victory for Barcelona. Messi scored another spell-binding free-kick at Camp Nou after his sumptuous pass had already teed up Arturo Vidal for Barca’s second. He then drove home his second late on before sliding through Luis Suarez to make it five. Yet in truth his two goals and two assists were just the start of it, the defining moments of another mesmeric all-round performance that was dotted with flicks, passes and dribbles, not to mention two humiliating nutmegs.”I don’t know what more I can say,” said Barcelona coach Ernesto Valverde.”There were wonders coming out of his foot,” said Valladolid’s Michel. “You can only applaud and enjoy it.”Valladolid had threatened to make a game of it when Kiko Olivas benefitted from a rare Marc-Andre ter Stegen error to equalise, after Clement Lenglet had struck in the second minute.But with Messi in this sort of mood, the result never felt in doubt as victory sent Barcelona back to the top of La Liga, after Atletico Madrid were held to a 1-1 draw by Alaves a couple of hours before.Valverde’s side have now won seven consecutive matches in all competitions, a run that began by beating Villarreal on September 24, when Messi returned from injury to make his first start of the season.He has needed time, admitting earlier this month he was still short of sharpness even as goals flew in against Sevilla, Eibar and Slavia Prague.But this display sent a resounding message that Messi is back to his best even if Valverde feels there is more to come.”He is still getting back to full fitness,” Valverde said. “But he is getting better and better.”Valladolid were perhaps unfortunate the 32-year-old was fresh after the postponed Clasico on Saturday meant Barcelona and Real Madrid were given the weekend off.It meant this was the first game at Camp Nou since violent protests broke out across Catalonia after nine pro-independence leaders were sentenced to imprisonment on October 21.Giant yellow banners with ‘Independencia’ and ‘Llibertat’ written across them were unfurled before kick-off but there was no sign of unrest. Instead, the mood turned celebratory as Messi got to work.It was his free-kick that Valladolid made a mess of clearing, as Sergi Guardiola lashed the ball against Joaquin Fernandez and Lenglet reacted fastest, his shot deflecting in before two minutes were on the clock.Messi Runs The ShowThe procession was briefly halted when Ter Stegen, perhaps unsighted, slapped a cross straight into the shin of Olivas but the remaining 30 minutes of the first half belonged to Messi.He switched the ball for Frenkie de Jong to slightly overhit a pass for Arturo Vidal and then replicated the Dutchman’s effort but did it better, this time picking out Vidal perfectly to score at the back post.Five minutes later he sent a free-kick curling away from Jordi Masip, who scuttled across his line but could never reach the ball as it nestled in the top right-hand corner.Messi flicked one through the legs of Oscar Plano, who threw his head back and for a moment stopped dead in frustration. Then it was Guardiola’s turn, only this time the nutmeg doubled up as a pass.After half-time, Ansu Fati, making his last appearance before turning 17, should have tucked away a Messi pass before two goals in the 75th and 77th minutes put Valladolid out of sight.Messi cushioned Ivan Rakitic’s cute pass on his thigh and drove it into the corner and then slid in Suarez, who finished for his eighth goal of the season.In injury time, Messi should have had his hat-trick but curled wide of the left post when he seemed certain to score. It might have been his first mistake all night.Atletico Madrid could have done with a drop of Messi’s attacking inspiration as they were held to a disappointing draw by Alaves.Alvaro Morata came off the bench to score his third goal in as many games but Lucas Perez hit a stunning late equaliser at Menizorrotza to ensure a tight contest between two of La Liga’s most stubborn defences ended all square.Atletico sit third, two points behind Barcelona and level with Granada, having played one game more. For all the Latest Sports News News, Football News News, Download News Nation Android and iOS Mobile Apps.